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What was the main difference between the revue of the early 20th century and previous stage forms such as vaudeville, burlesque, or minstrel shows?
How was the pre-1930s version of the “revue” significantly different from those following the 1930s?
Some of the most successful, long-lasting versions of early revues were developed by Florenz Ziegfield and George White. Though they were “revues”, what other two names did they have?
Just as movies hastened the demise of vaudeville in the 1920s, the revue of the 1940s lost popularity with the rise of which medium?
One major contribution of American operettas in the 1920s was to feature female singers in lead roles on the American stage.
Which musical at the end of the 20th century can be seen as a direct descendant of the early 20th century operetta?