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License to Use Website

Unless otherwise stated, Uff Dah Publications and/or its licensors own the intellectual property rights in the website and material on the website. Subject to the license below, all these intellectual property rights are reserved.
You may view, download for caching purposes only, and print pages or other content from the website for your own personal use, subject to the restrictions set out below and elsewhere in these terms and conditions.
You must not:

  • sell, rent or sub-license your personal www.ampopmusic.kinsta.cloud access code to any other individual or group of individuals;
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Content specifically made available for redistribution (such as printable study questions, and other materials) may only be redistributed within a classroom environment as part of educational activities.

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You must not use this website in any way that causes, or may cause, damage to the website or impairment of the availability or accessibility of the website; or in any way which is unlawful, illegal, fraudulent or harmful, or in connection with any unlawful, illegal, fraudulent or harmful purpose or activity.
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With the exception of professors and teachers who have adopted and purchased access to the online Etext as a class resource, you are not allowed to print, display or use the resources of the Etext in a class activity.
You must not conduct any systematic or automated data collection activities (including without limitation scraping, data mining, data extraction and data harvesting) on or in relation to this website without Uff Dah Publication’s express written consent.
You must not use this website for any purposes related to marketing without Uff Dah Publication’s express written consent.

Restricted Access

Access to certain areas of this website may be restricted. Uff Dah Publication reserves the right to restrict access to areas of this website, or indeed this entire website, at Uff Dah Publication’s discretion.
When Uff Dah Publications provides you with a user ID and password to enable you to access restricted areas of this website or other content or services, you must ensure that the user ID and password are kept confidential and used only for personal education and study.
If it becomes apparent that any part of these terms and conditions have been violated, Uff Dah Publications may disable your user ID and password in Uff Dah Publication’s sole discretion without notice or explanation.

No Warranties

While it is in the best intentions of Uff Dah Publications and the creators of the www.ampopmusic.kinsta.cloud Etext to be completely accurate, true and non-misleading in its presentation of materials contained in this website, errors, omissions and incomplete statements may occur. If and/or when such inaccuracies would be discovered, immediate actions would be taken to rectify the situation. Notwithstanding the previous statement, this website is provided “as is” without any representations or warranties, express or implied. Uff Dah Publications makes no representations or warranties in relation to this website or the information and materials provided on this website.
Without prejudice to the generality of the foregoing paragraph, Uff Dah Publications does not warrant that:

  • this website will be constantly available, or available at all; or
  • the information on this website is complete, true, accurate or non-misleading.

Limitations of liability

Uff Dah Publications will not be liable to you (whether under the law of contact, the law of torts or otherwise) in relation to the contents of, or use of, or otherwise in connection with, this website:

  • for any indirect, special or consequential loss; or
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These limitations of liability apply even if Uff Dah Publications has been expressly advised of the potential loss.

Exceptions

Nothing in this website disclaimer will exclude or limit any warranty implied by law that it would be unlawful to exclude or limit; and nothing in this website disclaimer will exclude or limit Uff Dah Publications liability in respect of any:

  • death or personal injury caused by Uff Dah Publication’s negligence;
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Reasonableness

By using this website, you agree that the exclusions and limitations of liability set out in this website disclaimer are reasonable.
If you do not think they are reasonable, you must not use this website.

Other Parties

You accept that, as a limited liability entity, Uff Dah Publications has an interest in limiting the personal liability of its officers and employees. You agree that you will not bring any claim personally against Uff Dah Publication’s officers or employees in respect of any losses you suffer in connection with the website.
You agree that the limitations of warranties and liability set out in this website disclaimer will protect Uff Dah Publication’s officers, employees, agents, subsidiaries, successors, assigns and sub-contractors as well as Uff Dah Publications.

Unenforceable Provisions

If any provision of this website disclaimer is, or is found to be, unenforceable under applicable law, that will not affect the enforceability of the other provisions of this website disclaimer.

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You hereby indemnify Uff Dah Publications and undertake to keep Uff Dah Publications indemnified against any losses, damages, costs, liabilities and expenses (including without limitation legal expenses and any amounts paid by Uff Dah Publications to a third party in settlement of a claim or dispute on the advice of Uff Dah Publication’s legal advisers) incurred or suffered by Uff Dah Publications arising out of any breach by you of any provision of these terms and conditions, or arising out of any claim that you have breached any provision of these terms and conditions.

Breaches of these Terms and Conditions

Without prejudice to Uff Dah Publication’s other rights under these terms and conditions, if you breach these terms and conditions in any way, Uff Dah Publications may take such action as Uff Dah Publications deems appropriate to deal with the breach, including suspending your access to the website, prohibiting you from accessing the website, blocking computers using your IP address from accessing the website, contacting your internet service provider to request that they block your access to the website and/or bringing court proceedings against you.

Variation

Uff Dah Publications may revise these terms and conditions from time-to-time. Revised terms and conditions will apply to the use of this website from the date of the publication of the revised terms and conditions on this website. Please check this page regularly to ensure you are familiar with the current version.

Assignment

Uff Dah Publications may transfer, sub-contract or otherwise deal with Uff Dah Publications’s rights and/or obligations under these terms and conditions without notifying you or obtaining your consent.
You may not transfer, sub-contract or otherwise deal with your rights and/or obligations under these terms and conditions.

Severability

If a provision of these terms and conditions is determined by any court or other competent authority to be unlawful and/or unenforceable, the other provisions will continue in effect. If any unlawful and/or unenforceable provision would be lawful or enforceable if part of it were deleted, that part will be deemed to be deleted, and the rest of the provision will continue in effect.

Entire Agreement

These terms and conditions constitute the entire agreement between you and Uff Dah Publications in relation to your use of this website, and supersede all previous agreements in respect of your use of this website.

Returns and Refunds Policy

Thank you for shopping at AmPopMusic.

Please read this policy carefully. This is the Return and Refund Policy of AmPopMusic and Uff Dah Publications.

We issue refunds for the online purchase of Enrollment Keys within 15 days of the original purchase of the product.

For refunds of physically purchased Enrollment Keys, please contact us for further directions. We recommend contacting us for assistance if you experience any issues receiving or downloading our products.

If you have any questions about our Returns and Refunds Policy, please contact us by email: contact@ampopmusic.com found at the “Contact Us” page at www.ampopmusic.kinsta.cloud.

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    Study and Test

    Testing Library

    Watch and Learn

    Audio/Video Room

    READ AND HEAR​

    Study Units

    An Overview

    Ch. 1: Understanding Pitch

    Ch. 2: Understanding Musical Pulse

    Ch. 3: Understanding Volume

    Ch. 4: Understanding Tone

    Ch. 5: Understanding Melody

    Ch. 6: Understanding Harmony

    Ch. 7: Understanding Rhythm

    Ch. 8: Understanding Bass

    Ch. 9: Understanding Countermelody

    Ch. 10: Understanding Structure

    Ch. 11: Understanding Instrumentation

    Ch. 12: Understanding Tempo

    An Overview

    Ch. 1: 19th Century: Pre-Foster

    Ch. 2: Folk Music by the People

    Ch. 3: Popular Music in its Infancy

    Ch. 4: Stephen Foster – “Father of American Popular Music”

    Ch. 5: The Importance of Stephen Foster

    Ch. 6: Scott Joplin – “King of Ragtime”

    Ch. 7: The Player Piano – Automated Music

    Ch. 8: John Philip Sousa – “The March King”

    Ch. 9: John Philip Sousa – Recording Artist and Activist

    An Overview

    Ch. 1: John Lomax – Recording American Roots Music

    Ch. 2: Woody Guthrie – “Father of Modern American Folk Music”

    Ch. 3: Leadbelly & Pete Seeger: End of the First Wave

    Ch. 4: The Kingston Trio – Beginning of the Second Wave

    Ch. 5: Joan Baez – “First Lady of Folk Music”

    Ch. 6: Peter, Paul & Mary – Balancing the Message

    Ch. 7: Robert Zimmerman – The Beginning of an American Icon

    Ch. 8: Dylan in New York City

    Ch. 9: Dylan after Newport

    Ch. 10: The Importance of Dylan

    Ch. 11: Folk Music in the 21st Century

    An Overview

    Ch. 1: The Roots of Country

    Ch. 2: Bristol Beginnings

    Ch. 3: The Grand Ole Opry

    Ch. 4: Cowboys and the Movies

    Ch. 5: Western Swing

    Ch. 6: Bluegrass: Hillbilly on Caffeine

    Ch. 7: Honky-tonk: Merging Two into One

    Ch. 8: The Nashville Sound: Country-Pop

    Ch. 9: Rockabilly – Country meets R&B

    Ch. 10: Country Feminists Find Their Voice

    Ch. 11: The Bakersfield Sound

    Ch. 12: Austin “Outlaw” Country

    Ch. 13: Neo-Traditionalists at the end of the 20th Century

    Ch. 14: Mainstreaming Country in the ‘90s

    Ch. 15: Redesigning Country in the 21st Century

    An Overview

    Ch. 1: What is Jazz?

    Ch. 2: Before It Was Jazz

    Ch. 3: Jazz is Born!

    Ch. 4: Early Jazz Musicians

    Ch. 5: Louis Armstrong

    Ch. 6: Chicago and Harlem – Hub of 1920s Jazz

    Ch. 7: Big Band – Jazz Swing!

    Ch. 8: Big Band Musicians and Singers

    Ch. 9: Jump Blues and Bop

    Ch. 10: Cool Jazz

    Ch. 11: Hard Bop

    Ch. 12: Free Jazz – Breaking the Rules

    Ch. 13: Fusion – The Jazz-Rock-Funk Experience

    Ch. 14: Third Stream and World Jazz

    Ch. 15: New Age & Smooth Jazz

    Ch. 16: Summary – Jazz Lives!

    An Overview

    Ch. 1: Blues – The Granddaddy of American Popular Music

    Ch. 2: Where Did the Blues Come From?

    Ch. 3: What Are the Blues?

    Ch. 4: How to Build the Blues

    Ch. 5: Classic Blues – The Early Years

    Ch. 6: Delta Blues – Authentic Beginnings

    Ch. 7: Blues in the City – Migration and Power

    Ch. 8: Blues in Britain – Redefining the Masters

    Ch. 9: Contemporary Blues – Maturity and Respect

    Ch. 10: The Relevancy of the Blues Today

    Ch. 1: Timelines, Cultures & Technology

    Ch. 2: Pre-Rock Influences

    Ch. 3: Rock is Born!

    Ch. 4: Rock is Named

    Ch. 5: Doo-Wop

    Ch. 6: Independent Record Labels

    Ch. 7: Technology Shapes Rock ‘n’ Roll

    Ch. 8: The Plan to Mainstream Rock ‘n’ Roll

    Ch. 9: Payola – Rock ‘n’ Roll’s First Scandal

    Ch. 1: Crafting Sound in the Studio/Producers and Hit Songs

    Ch. 2: West Coast Sound: Beach, Surf, and Teens

    Ch. 3: The British Invasion: Two Prongs – Pop & Blues

    Ch. 4: Motown and the Development of a Black Pop-Rock Sound

    Ch. 5: Soul Music: Gospel and R&B in the Deep South

    Ch. 6: The Sounds of Bubble Gum Pop-Rock

    Ch. 7: The Arrival of Folk-Rock

    Ch. 8: Psychedelic Rock ‘n’ Roll

    Ch. 9: Early Guitar Gods of Rock

    Ch. 10: Rock Festivals: The Rise and Fall of Music, Peace, and Love

    Ch. 11: Anti-Woodstock and Shock Rock Movements

    Ch. 1: Technological Breakthroughs

    Ch. 2: Electronic Dance Music

    Ch. 3: Hip-Hop & Rap – An Introduction

    Ch. 4: The Beginnings of Rap

    Ch. 5: Old School Rap – Up From the Streets

    Ch. 6: Rap’s Golden Age

    Ch. 7: East Coast – Political Rap

    Ch. 8: West Coast – Gangsta Rap

    Ch. 9: The Fragmentation of Rap – Pop, Party & More

    Ch. 10: Further Fragmentation – Different Directions

    Ch. 11: The Importance of Rap

    Ch. 1: Musical Stage Productions in America before the 1800s

    Ch. 2: Minstrel Shows and Melodramas

    Ch. 3: Stage Presentations in the Late 19th Century

    Ch. 4: Early 20th Century: Revues and Operettas

    Ch. 5: The Arrival of the Modern American Musical

    Ch. 6: Great Partnerships in Book-Musicals

    Ch. 7: Musical Theatre Composers in the mid-Century

    Ch. 8: Fresh Voices on the Stage in the 1960s

    Ch. 9: Two Dominant Forces at the End of the Century

    Ch. 10: New Voices at the End of the Century

    Ch. 11: New Voices, New Sounds in the New Century

    Ch. 12: Musical Theatre Glossary

    Ch. 13: Is it “Theatre” or “Theater”?

    Study Units also have “Playdecks” – containing hundreds of chronologically organized audio examples of music in the study units, and “Study Qs” for unit chapters.