Over twenty years after Chet Atkins and Patsy Cline inaugurated the Nashville pop sound, Crystal Gayle had a hit song that topped the C & W, Pop and Easy Listening charts. The basic elements of what Atkins brought to pop-country – string pad, reverb & back-up singers – are prominent in Gayle’s hit song.
Living blues guitar legends Eric Clapton, Buddy Guy, Hubert Sumlin, Johnny Winter, Jimmy Vaughn, and John Mayer join to perform the classic blues tune.
Covering the legendary delta bluesman, Robert Johnson, the supergroup Cream (Eric Clapton – guitar, Jack Bruce – bass, and Ginger Baker – drums)performs their version of the blues classic at their final concert: Royal Albert Hall Nov. 26th, 1968.
Artists in order of appearance on the “Forever Country” video: Brad Paisley, Keith Urban, Tim McGraw, Faith Hill, Little Big Town, Luke Bryan, Miranda Lambert, Blake Shelton, George Strait, Kacey Musgraves, Eric Church, Ronnie Milsap, Charley Pride, Dierks Bentley, Trisha Yearwood, Lady Antebellum, Carrie Underwood, Darius Rucker, Martina McBride, Jason Aldean, Rascal Flatts, Willie Nelson, …
Country Superstars talk about the video “Forever Country” Read More »
In the early ’60s dance crazes were sweeping through teen culture. “The Mashed Potato,” “The Watusi,” and “The Frug” were just a few of the dances celebrated by teens. But the dance which started all the other dance fads was Chubby Checker’s song/dance titled “The Twist.” Released in 1960, The Twist was one more example …
An Overview
Ch. 1: Understanding Pitch
Ch. 2: Understanding Musical Pulse
Ch. 3: Understanding Volume
Ch. 4: Understanding Tone
Ch. 5: Understanding Melody
Ch. 6: Understanding Harmony
Ch. 7: Understanding Rhythm
Ch. 8: Understanding Bass
Ch. 9: Understanding Countermelody
Ch. 10: Understanding Structure
Ch. 11: Understanding Instrumentation
Ch. 12: Understanding Tempo
An Overview
Ch. 1: 19th Century: Pre-Foster
Ch. 2: Folk Music by the People
Ch. 3: Popular Music in its Infancy
Ch. 4: Stephen Foster – “Father of American Popular Music”
Ch. 5: The Importance of Stephen Foster
Ch. 6: Scott Joplin – “King of Ragtime”
Ch. 7: The Player Piano – Automated Music
Ch. 8: John Philip Sousa – “The March King”
Ch. 9: John Philip Sousa – Recording Artist and Activist
An Overview
Ch. 1: John Lomax – Recording American Roots Music
Ch. 2: Woody Guthrie – “Father of Modern American Folk Music”
Ch. 3: Leadbelly & Pete Seeger: End of the First Wave
Ch. 4: The Kingston Trio – Beginning of the Second Wave
Ch. 5: Joan Baez – “First Lady of Folk Music”
Ch. 6: Peter, Paul & Mary – Balancing the Message
Ch. 7: Robert Zimmerman – The Beginning of an American Icon
Ch. 8: Dylan in New York City
Ch. 9: Dylan after Newport
Ch. 10: The Importance of Dylan
Ch. 11: Folk Music in the 21st Century
An Overview
Ch. 1: The Roots of Country
Ch. 2: Bristol Beginnings
Ch. 3: The Grand Ole Opry
Ch. 4: Cowboys and the Movies
Ch. 5: Western Swing
Ch. 6: Bluegrass: Hillbilly on Caffeine
Ch. 7: Honky-tonk: Merging Two into One
Ch. 8: The Nashville Sound: Country-Pop
Ch. 9: Rockabilly – Country meets R&B
Ch. 10: Country Feminists Find Their Voice
Ch. 11: The Bakersfield Sound
Ch. 12: Austin “Outlaw” Country
Ch. 13: Neo-Traditionalists at the end of the 20th Century
Ch. 14: Mainstreaming Country in the ‘90s
Ch. 15: Redesigning Country in the 21st Century
An Overview
Ch. 1: What is Jazz?
Ch. 2: Before It Was Jazz
Ch. 3: Jazz is Born!
Ch. 4: Early Jazz Musicians
Ch. 5: Louis Armstrong
Ch. 6: Chicago and Harlem – Hub of 1920s Jazz
Ch. 7: Big Band – Jazz Swing!
Ch. 8: Big Band Musicians and Singers
Ch. 9: Jump Blues and Bop
Ch. 10: Cool Jazz
Ch. 11: Hard Bop
Ch. 12: Free Jazz – Breaking the Rules
Ch. 13: Fusion – The Jazz-Rock-Funk Experience
Ch. 14: Third Stream and World Jazz
Ch. 15: New Age & Smooth Jazz
Ch. 16: Summary – Jazz Lives!
An Overview
Ch. 1: Blues – The Granddaddy of American Popular Music
Ch. 2: Where Did the Blues Come From?
Ch. 3: What Are the Blues?
Ch. 4: How to Build the Blues
Ch. 5: Classic Blues – The Early Years
Ch. 6: Delta Blues – Authentic Beginnings
Ch. 7: Blues in the City – Migration and Power
Ch. 8: Blues in Britain – Redefining the Masters
Ch. 9: Contemporary Blues – Maturity and Respect
Ch. 10: The Relevancy of the Blues Today
Ch. 1: Timelines, Cultures & Technology
Ch. 2: Pre-Rock Influences
Ch. 3: Rock is Born!
Ch. 4: Rock is Named
Ch. 5: Doo-Wop
Ch. 6: Independent Record Labels
Ch. 7: Technology Shapes Rock ‘n’ Roll
Ch. 8: The Plan to Mainstream Rock ‘n’ Roll
Ch. 9: Payola – Rock ‘n’ Roll’s First Scandal
Ch. 1: Crafting Sound in the Studio/Producers and Hit Songs
Ch. 2: West Coast Sound: Beach, Surf, and Teens
Ch. 3: The British Invasion: Two Prongs – Pop & Blues
Ch. 4: Motown and the Development of a Black Pop-Rock Sound
Ch. 5: Soul Music: Gospel and R&B in the Deep South
Ch. 6: The Sounds of Bubble Gum Pop-Rock
Ch. 7: The Arrival of Folk-Rock
Ch. 8: Psychedelic Rock ‘n’ Roll
Ch. 9: Early Guitar Gods of Rock
Ch. 10: Rock Festivals: The Rise and Fall of Music, Peace, and Love
Ch. 11: Anti-Woodstock and Shock Rock Movements
Ch. 1: Technological Breakthroughs
Ch. 2: Electronic Dance Music
Ch. 3: Hip-Hop & Rap – An Introduction
Ch. 4: The Beginnings of Rap
Ch. 5: Old School Rap – Up From the Streets
Ch. 6: Rap’s Golden Age
Ch. 7: East Coast – Political Rap
Ch. 8: West Coast – Gangsta Rap
Ch. 9: The Fragmentation of Rap – Pop, Party & More
Ch. 10: Further Fragmentation – Different Directions
Ch. 11: The Importance of Rap
Ch. 1: Musical Stage Productions in America before the 1800s
Ch. 2: Minstrel Shows and Melodramas
Ch. 3: Stage Presentations in the Late 19th Century
Ch. 4: Early 20th Century: Revues and Operettas
Ch. 5: The Arrival of the Modern American Musical
Ch. 6: Great Partnerships in Book-Musicals
Ch. 7: Musical Theatre Composers in the mid-Century
Ch. 8: Fresh Voices on the Stage in the 1960s
Ch. 9: Two Dominant Forces at the End of the Century
Ch. 10: New Voices at the End of the Century
Ch. 11: New Voices, New Sounds in the New Century
Ch. 12: Musical Theatre Glossary
Ch. 13: Is it “Theatre” or “Theater”?
Study Units also have “Playdecks” – containing hundreds of chronologically organized audio examples of music in the study units, and “Study Qs” for unit chapters.
