Close
An Overview
Ch. 1: Understanding Pitch
Ch. 2: Understanding Musical Pulse
Ch. 3: Understanding Volume
Ch. 4: Understanding Tone
Ch. 5: Understanding Melody
Ch. 6: Understanding Harmony
Ch. 7: Understanding Rhythm
Ch. 8: Understanding Bass
Ch. 9: Understanding Countermelody
Ch. 10: Understanding Structure
Ch. 11: Understanding Instrumentation
Ch. 12: Understanding Tempo
An Overview
Ch. 1: 19th Century: Pre-Foster
Ch. 2: Folk Music by the People
Ch. 3: Popular Music in its Infancy
Ch. 4: Stephen Foster – “Father of American Popular Music”
Ch. 5: The Importance of Stephen Foster
Ch. 6: Scott Joplin – “King of Ragtime”
Ch. 7: The Player Piano – Automated Music
Ch. 8: John Philip Sousa – “The March King”
Ch. 9: John Philip Sousa – Recording Artist and Activist
An Overview
Ch. 1: John Lomax – Recording American Roots Music
Ch. 2: Woody Guthrie – “Father of Modern American Folk Music”
Ch. 3: Leadbelly & Pete Seeger: End of the First Wave
Ch. 4: The Kingston Trio – Beginning of the Second Wave
Ch. 5: Joan Baez – “First Lady of Folk Music”
Ch. 6: Peter, Paul & Mary – Balancing the Message
Ch. 7: Robert Zimmerman – The Beginning of an American Icon
Ch. 8: Dylan in New York City
Ch. 9: Dylan after Newport
Ch. 10: The Importance of Dylan
Ch. 11: Folk Music in the 21st Century
An Overview
Ch. 1: The Roots of Country
Ch. 2: Bristol Beginnings
Ch. 3: The Grand Ole Opry
Ch. 4: Cowboys and the Movies
Ch. 5: Western Swing
Ch. 6: Bluegrass: Hillbilly on Caffeine
Ch. 7: Honky-tonk: Merging Two into One
Ch. 8: The Nashville Sound: Country-Pop
Ch. 9: Rockabilly – Country meets R&B
Ch. 10: Country Feminists Find Their Voice
Ch. 11: The Bakersfield Sound
Ch. 12: Austin “Outlaw” Country
Ch. 13: Neo-Traditionalists at the end of the 20th Century
Ch. 14: Mainstreaming Country in the ‘90s
Ch. 15: Redesigning Country in the 21st Century
An Overview
Ch. 1: What is Jazz?
Ch. 2: Before It Was Jazz
Ch. 3: Jazz is Born!
Ch. 4: Early Jazz Musicians
Ch. 5: Louis Armstrong
Ch. 6: Chicago and Harlem – Hub of 1920s Jazz
Ch. 7: Big Band – Jazz Swing!
Ch. 8: Big Band Musicians and Singers
Ch. 9: Jump Blues and Bop
Ch. 10: Cool Jazz
Ch. 11: Hard Bop
Ch. 12: Free Jazz – Breaking the Rules
Ch. 13: Fusion – The Jazz-Rock-Funk Experience
Ch. 14: Third Stream and World Jazz
Ch. 15: New Age & Smooth Jazz
Ch. 16: Summary – Jazz Lives!
An Overview
Ch. 1: Blues – The Granddaddy of American Popular Music
Ch. 2: Where Did the Blues Come From?
Ch. 3: What Are the Blues?
Ch. 4: How to Build the Blues
Ch. 5: Classic Blues – The Early Years
Ch. 6: Delta Blues – Authentic Beginnings
Ch. 7: Blues in the City – Migration and Power
Ch. 8: Blues in Britain – Redefining the Masters
Ch. 9: Contemporary Blues – Maturity and Respect
Ch. 10: The Relevancy of the Blues Today
Ch. 1: Timelines, Cultures & Technology
Ch. 2: Pre-Rock Influences
Ch. 3: Rock is Born!
Ch. 4: Rock is Named
Ch. 5: Doo-Wop
Ch. 6: Independent Record Labels
Ch. 7: Technology Shapes Rock ‘n’ Roll
Ch. 8: The Plan to Mainstream Rock ‘n’ Roll
Ch. 9: Payola – Rock ‘n’ Roll’s First Scandal
Ch. 1: Crafting Sound in the Studio/Producers and Hit Songs
Ch. 2: West Coast Sound: Beach, Surf, and Teens
Ch. 3: The British Invasion: Two Prongs – Pop & Blues
Ch. 4: Motown and the Development of a Black Pop-Rock Sound
Ch. 5: Soul Music: Gospel and R&B in the Deep South
Ch. 6: The Sounds of Bubble Gum Pop-Rock
Ch. 7: The Arrival of Folk-Rock
Ch. 8: Psychedelic Rock ‘n’ Roll
Ch. 9: Early Guitar Gods of Rock
Ch. 10: Rock Festivals: The Rise and Fall of Music, Peace, and Love
Ch. 11: Anti-Woodstock and Shock Rock Movements
Ch. 1: Technological Breakthroughs
Ch. 2: Electronic Dance Music
Ch. 3: Hip-Hop & Rap – An Introduction
Ch. 4: The Beginnings of Rap
Ch. 5: Old School Rap – Up From the Streets
Ch. 6: Rap’s Golden Age
Ch. 7: East Coast – Political Rap
Ch. 8: West Coast – Gangsta Rap
Ch. 9: The Fragmentation of Rap – Pop, Party & More
Ch. 10: Further Fragmentation – Different Directions
Ch. 11: The Importance of Rap
Ch. 1: Musical Stage Productions in America before the 1800s
Ch. 2: Minstrel Shows and Melodramas
Ch. 3: Stage Presentations in the Late 19th Century
Ch. 4: Early 20th Century: Revues and Operettas
Ch. 5: The Arrival of the Modern American Musical
Ch. 6: Great Partnerships in Book-Musicals
Ch. 7: Musical Theatre Composers in the mid-Century
Ch. 8: Fresh Voices on the Stage in the 1960s
Ch. 9: Two Dominant Forces at the End of the Century
Ch. 10: New Voices at the End of the Century
Ch. 11: New Voices, New Sounds in the New Century
Ch. 12: Musical Theatre Glossary
Ch. 13: Is it “Theatre” or “Theater”?
Study Units also have “Playdecks” – containing hundreds of chronologically organized audio examples of music in the study units, and “Study Qs” for unit chapters.
